The most recent revamp of Wonder Woman is one of the most enjoyable comics I’ve come across in a while. It reads like Neil Gaiman’s Sandman by way of Image’s recent Saga. I first noticed the series because of this fantastic cover (issue 24, october 2013), and promptly burned through the first three collected volumes on Comixology in two days. It is, so far, the only comic other than Rat Queens that I have considered buying individual issues of as they come out, rather than waiting for the inevitable compilations.
There is a kind of Lichtensteinian feeling to the art that is reminiscent of some stylized comic golden age, but it also feels recent and fresh (I think this is because of the color and writing). The character designs are also continuously enjoyable. I found myself looking forward to how each of the Olympians would be realized (the only one that I didn’t really care for was Poseidon). For a flagship book, there is a surprising amount of graphic violence, including a horse’s head being severed with a centaur’s upper body erupting from the hole, and Diana’s arms drenched to the elbow in blood from combat. That said, it somehow manages to avoid seeming gratuitous and instead supports a sense of mythological seriousness. In fact, I would say that the art by Cliff Chiang is almost without misstep. The work by Tony Akins (issue 13, 14, and 17, at least) is not as successful for me, and Goran Sudzuka does the penciling for some of the newer issues that I haven’t gotten to yet, and so can’t speak to, but overall the art situation is pretty amazing.
The story itself does not read like a superhero book, which to me is a positive. I have warmed slightly to the superhero genre, but in general I prefer other types of story. As I mentioned above, Gaiman’s Sandman is actually the first thing that I though of when reading through the recent Wonder Woman. This is the story of the interactions of cosmic personalities, many of which are not clearly heroes of villains (though Apollo serves as a main villain proxy to some extent). Like the Olympians of mythology, the dominant feature of most of these characters is a sort of myopic selfishness coupled with tremendous power. There’s also some situational humor that I appreciate (mostly involving Hera).
I will leave you with a few image selections. All images are scaled screen captures from the digital Comixology compilations.